Oh! What A Night

I cant believe how long it has taken me to finally get around to seeing today’s show, but finally after hundreds of rave reports and a cracking ticket bargain, I got to see Jersey Boys.

I knew, of course, of Frankie Valli and the Four Seasons – I couldn’t be such a huge fan of the ’60’s and not have heard some of their music. However, what I didn’t know was about them.

Jersey Boys tells the story of the band, from its conception, through the trials, tribulations and sometimes tragedies of the group as a whole and as individuals.

Started byTommy DeVito (Jon Boydon), a slightly temperamental gambler with big ideas, who’s original band members – himself included – spent a large proportion of time in jail, he discovers a young lad with a hugely distinctive voice.

This young man is Frankie (Ben Jennings). Because he is young he is easily influenced and he is under Tommy’s thumb. Decisions are all made by Tommy, though it is debatable that Frankie would ever have been so successful had Tommy not helped to kick start everything.

As time passes and agents begin to get involved,  Tommy struggles to maintain control and becomes resentful. The other group members – Bob Gaudio (Edd Post) and Nick Massi (David McGranaghan) are sick of being constantly renamed and never getting anywhere.

Tensions flare up and the discovery that DeVito is thousands of pounds (well, ok, dollars) in debt, along with the agreement between Gaudio and Valli, is the final straw.

The show covers the story, in detail and with narration – mostly from DeVito but from each member of the group – about their rise to fame, their relationships both inside and outside the band and beyond,  right up until now.

The soundtrack is a surprising one due to a number of songs being covered, and ultimately better known by alternative artists, an example of this being ‘Cant Take My Eyes Off You’ perhaps most familiar by Andy Williams. Other hits include ‘Walk Like A Man’, ‘Ragdoll’ and ‘Big Girls Don’t Cry’ but these are by no means the only ones.

The staging is done over two levels and the clever use of lighting enhances the speaker or situation at any one time. I also enjoyed the way that TV or concert appearances were performed using techniques such as ‘live-cams’ and using upstage for downstage.

Ryan Molloy is world renowned for his performance as Frankie and he has a huge following.  His understudy,  Jon Lee, is also an experienced performer after a pop career with S Club 7 and a stint as Marius in Les Miserables. However,  our Frankie for the evening was Ben Jennings. I have to say I thought he was incredible and I am not in the least disappointed that he was on. Jennings is definitely going to be a name to watch out for, his vocals,  even at such a high range, were flawless and he was great to watch.

I thoroughly enjoyed Boydon’s DeVito, though every one of the ‘Seasons’ was convincing. I think my favourite scene had to be Gaudio’s ‘initiation’ into becoming a man, accompanied with the lovely ladies of the cast.  A mention must also go to Tommie Lee Jenkins who played a number of small roles but his moves were slick and he was captivating.

This is a show that would appeal to all ages. It is not mind-blowing and there are few special effects or fancy pieces of set. But what you get is a good solid show, with toe-tapping tunes, a well thought out and easy to follow story and one which will put a smile on your face. Definitely worth seeing, though be warned, you will probably want to make a return visit.

If you have not seen the show,  or indeed if you have and are interested,  I recently interviewed Jon Boydon and he gives a lovely description of his character among lots of other things. You can find it here: http:// wp.me/p2RIFK-5I

Keep Dreaming,
Naomi xx

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Jon Boydon answers….

For my final interview of 2013, I have been lucky enough to persuade Jon Boydon to answer a few questions. Many of you will have seen Jon in action at the Prince Edward Theatre playing Tommy DeVito in Jersey Boys. It has taken me a while to write this up as he answered everything so thoroughly, but I am delighted with his answers and very much hope you’ll agree that it’s a wonderful insight into his career.

Three of the 'Four Seasons', Jon Boydon (Tommy) is centre.

Three of the ‘Four Seasons’, Jon Boydon (Tommy) is centre.

1. You are currently playing Tommy DeVito in Jersey Boys. Please tell us a little more about your character.

Tommy DeVito is one of the founding four members of the pop group The Four Seasons which launched Frankie Valli’s career and spawned countless pop hits. Tommy is principally a guitarist and a singer, but really his input to the band was the drive that he had. He wasn’t the best singer, ideas man or musician but he had the guts and the drive in the early days to secure them gigs. Once he saw he had the potential in the other three to get somewhere, he was determined to get there and he was responsible for those early bookings and getting money – a lot of which he kept for himself – and getting this band off of the starting blocks and out into the public eye. He’s a bit of a bad boy, he has a gambling problem once the money starts coming in, he’s mixed up in the mob. He’s a very mixed up character and great fun to play.

2. Were you a fan of Frankie Valli (and the Four Seasons) before you joined the cast?

I knew quite a few Frankie Valli/Four Seasons songs before I joined the show. I was brought up on my Dad’s music really – my Mum and Dad had great taste in music, Dad particularly has a great music collection – so I was aware of quite a lot of the songs. I wouldn’t necessarily know who they were by. I think a lot of people come to see the show armed with a handful in their minds and as the show progresses they think “oh, they did that one.”

Their music was covered by a variety of British artists and some of those British artists had bigger hits in the UK than The Four Seasons did with their songs. I would say about a third of them I knew, a third of them I knew but not by them and there were a third that were new to me – songs I had never heard before such as ‘Ragdoll’ and ‘Dawn’ which just weren’t on my radar – I’m not that old!

3. Are there any other roles within Jersey Boys you would like to tackle?

I joined the show nearly four years ago and came in to the role of Tommy and I’ve done it ever since. If I was going to play another role in Jersey Boys, I think I’d probably like to try Nick. I think Nick’s a really interesting character, I’m certainly too old for Bob and I don’t have the voice for Frankie. Maybe in another ten years I’ll be looking at Gyp (laughs), but I do think Nick would be interesting to play. If I was to play Nick, I think I would always be secretly looking at Tommy thinking “Hmmm, I wish I was doing that!”

4. You have been in Jersey Boys for around four years. Have you noticed any changes within the audiences or the popularity of the production over the years?

Being in a show for four years is a new thing for me, two years has usually been my maximum. There’s something about Jersey Boys that’s kept me here and it’s interesting to see a show – it was two years old when I joined it, so very much still at the beginning of its hype and excitement – Year three was still surging forward in that, a lot of the original cast were still involved and it was a very exciting time.

The show has maintained an incredible following and we still have very, very busy houses, people that are coming to see it for the first time and then people who are coming to see it for the hundredth time, it’s a real mix of experiences for people. I can’t seem to see that it has changed at all really – there are always seasonal fluctuations in the size of the house in any show unless it is in its first six months when it is totally sold out, so (for example) any given Wednesday at the beginning of November could be pretty quiet on any show and that’s been true of Jersey Boys as well, but the weekend crowds we get in are still packed to the rafters, still loving it, still seeing it for the first time. The show itself is maintained with incredible precision by our British creative team that the show is still as fresh as the day I joined it.

5. You have played a multitude of roles as well as been in a number of concerts/bands. Do you have a favourite and why?

I’ve been a very lucky boy and played a lot of fantastic roles in theatre. I’ve almost been able to tick off my hit list. They are all special for different reasons, I don’t think I’ve ever really done anything that’s so similar to another one that I have to pick a favourite between two. Playing Judas in Jesus Christ Superstar was as legit musical theatre as I’ve ever been, even though it’s still a rock musical, so that was a great journey for me to go on, doing a totally through-composed musical playing such an incredibly heavy part and going on a very difficult emotional journey every night – it was incredibly rewarding.

We Will Rock You being the alternate Galileo was a fantastic acting journey for me actually, because I’m not typically suited to the role – I’m quite tall and I was probably a little bit too old on paper – but it was great to put my head inside Galileo’s mind and be this young kid with this information bursting out of him that he’s seemingly unable to control and of course to sing such amazing songs, at times in the presence of Queen and Ben Elton. And being a rockstar at the end of the show every night was just a dream come true.

Currently, Tommy is my favourite role, I think the fact that I’ve done it for four years is testament to that. It’s a funny thing when jobs like this come along at the right time, when you’re available for a start, you’re the right type, you’re the right skillset and the door opened as I was ready to walk through it, so I’m not done with Tommy yet and I continue to enjoy pushing the envelope within the constraints that we have here at Jersey Boys, you know, finding new things out. And the profile of the show is magnificent, it’s like being in a band sometimes when we’re out doing little roadshow things and it just is a real buzz every night being not even the frontman – being the ‘side-guy’ on the guitar but still the band leader, it’s a great little adventure every night.

If I was pushed to pick a favourite I would say Tommy but if I end up in something else in a few years time, I’m sure it’ll be whatever I’m doing at that time although I will always have fond memories of everything I’ve done at different stages of my career.

6. If you could play any role – from ANY show, which would you choose and why?

The one that got away, probably because I’m not a great dancer, was Rum-Tum-Tugger in Cats. I always thought I might like to play Rum-Tum-Tugger and it’s certainly not going to happen now. Currently in the West End there’s not much that’s suited to me that I’d regard as being better than where I am, but I went to see The Bodyguard and I did enjoy the part of the Bodyguard (Frank Farmer) and I thought ‘Oh I could play that’ and it was the first time for a little while where I have watched something and thought ‘I could do that’ (I can’t obviously get to the theatre much because I’m working) and I did think that would be a nice role.

I think I’m suitable for one of the Dads in Mamma Mia! But I don’t have a huge desire to rush along and do that whilst I’ve got Tommy DeVito to play with. I toyed with the idea that I might like to play Phantom but I think vocally I’m not quite right, I would have to put on a bit more of a legitimate theatre voice and that’s not who I am, but the kudos of a role as famous as that would be incredible to play. I guess Jean Valjean in a similar way would be something else. But right now? I think I was lucky enough to tick off Frank-N-Furter and Judas and Galileo and a Jersey Boy and there isn’t much left that leaves me hungry. But there are always new shows coming – new shows on Broadway that you hear of, new writing for London – and who knows what will come along that will have my name all over it and I’ll think “I’ve gotta do that job!”

7. What has been the highlight of your career so far?

To have a career at all has been an incredible achievement or extended highlight. I didn’t go to drama school, I didn’t train as an actor, I didn’t train as a singer, I didn’t train as a musician, I’ve just taught myself everything along the way and to sustain a successful career for nearly 15 years just by sheer determination and hard work is something I am thankful for every day.

There are highs in any gig – singing Bohemian Rhapsody for Brian May on the opening night of my contract as Galileo was an incredible high with my family watching. Playing Hyde Park for Radio 2 Proms in the Park on my birthday doing Jersey Boys songs for 80,000 people was an incredible highlight. And sometimes it is just smaller things along the way – just having a kid at stage door come up to you and say “I want to be an actor when I’m older, would you sign my book” or “I bought your CD”. It sounds a little bit twee, but it’s a genuine thing that if you know that you’ve been to work and done your job – essentially all we’re doing is going to work and doing our job every day – but you’ve affected one person in an audience of 1500 and changed the course of their life for the better or inspired them to be creative, then that’s a little something you can take away with you without thousands of screaming fans or meeting famous people and that’s enough.

8. Are there any negative aspects to your job?

There aren’t many negative aspects to this job, it is a job, after all, that we love to do. We’re very lucky that we leave the house every day to go to work and know that we love what we do, but any job can be tedious at times or you can be tired or you can have personal problems or issues that you’re dealing with outside of work that you have to leave at the door and carry on regardless.

It’s a tough job in its energy, it’s a very focussed, extensive burst of energy at the end of the day when everybody else is switching off after finishing work and going out for an enjoyable time. You spend all day at home having your leisure time and then work very hard for a concentrated period in the evening. I think the biggest drawback is the impact it has on your social life, knowing that you’ll never have a weekend, a Saturday night date, time with your family – you know, anytime that everybody else is relaxing – Christmas time and things like that, they are always our busiest period. Anyone that works in the entertainment business or the leisure business or the restaurant business knows that Fridays, Saturdays, weekends, Christmas time, they’re always going to be your busiest time so eventually that does take its toll.However, it is a choice we have. We don’t have to do this job and you have to take the rough with the smooth. But in the main I love what I do, I love my job and I’m very thankful.

9. If you weren’t a performer, what do you think you would be doing instead?

If I wasn’t a performer I’m not really sure what I’d do, it’s changed over the years. When I first started out I was still young enough to just get another career, I imagined I might do something in advertising. Now, obviously, I’m older and it would be difficult to start out doing something from scratch, I’ve thought in terms of jobs I would do maybe in-between being a performer, such as a driving instructor or something similar.

I’m not really sure. I guess if I had to give up the most logical thing for me to do would be to retrain as a teacher and become a drama teacher with experience. At least then I would be keeping within the creative area but just passing on my knowledge to someone else.

10. Who or what are your influences?

I’m influenced by everything really, everything I see, people I see every day, any interaction with the outside world is going to inform your performance at some point or another. Characters you meet out and about on the street, on the bus, in a shop, people you work with, any of this can feed into characters you come up with, even if it’s just for fun.

I don’t particularly single out any one actor or musician that has influenced my life in such a great way, I like a lot of actors and I like a lot of musicians. I think I’ve learnt most from working with people, so anyone I’ve worked with has influenced my skill. Being on stage with someone night after night and feeding off their energy and bouncing off them and using the dialogue that you’re given to create a story is something that you learn – to watch the other person very closely and feed off their timing and their energy and give it back to them in the same way, so although it’s essentially the same performance every night, there are microscopic little differences and changes that you perceive that transform the way you respond.

So I would say that my role models, if you like, have been my family and teachers and a few pop stars and a few movie stars, but generally it’s just getting out there and doing the work and working with good people – it rubs off on you.

11. You have recorded an album – is this a reflection of your musical taste? Do you write your own music and are there any plans for another?

My album ‘Three-Four’ was a collection of some of my favourite songs. Also with the knowledge that my market-base was going to be primarily Jersey Boys fans initially so it was deliberately pitched in places at the ‘Doo-wop’, sixties sound, but these in a way are the songs I grew up with, listening to stuff that my Dad used to play, so I haven’t just gone through and deliberately picked songs that sounded a bit like Jersey Boys songs – they’re songs I’ve known since I could walk and talk.

There’s a little walk down the rock ‘n’ roll side of me, not very heavy rock but enough to fit in with the taste of the album and ‘Fallen Angel’ is one of my own compositions on there, which was ironically titled since there’s a fallen angel in Jersey boys. I wrote it when I was about 20, at university, and never really did anything with it, so in coming to do the album I decided I wanted to put it on there and do a full arrangement with the band, so it was really nice hearing a song that I’d only really ever done with an acoustic guitar and voice come to life with full orchestra, keys and drums etc.

It was quite an expensive process and I was doing it for myself, I wasn’t doing it to make money, but it did in fact cost quite a lot – I haven’t recouped the cost of doing it and I still have several boxes of CD’s that are, as yet, unsold (laughs) in the garage. But even saying this, I do plan to do another one next year, I think we’ll go about it in a slightly different way. The first one was, primarily for me, to spend a week in a recording studio and have some fun and lovingly doing it for the fans. I think the next one will be more directed at the fans ’cause I’ve fulfilled my ambition of recording an album with the last one. It will be funded differently, it’ll be marketed differently, it will be available differently. As to the content, I have had some good ideas and… watch this space!

12. Which three words would you choose to best describe yourself?

The impossible question of three words! (After a lot of thought) For today we shall go with optimistic, dedicated and stubborn.

13. What single item couldn’t you live without? (Family is a given):

The item I couldn’t live without would be a guitar.

14. Do you have any advice for budding actors or people wanting to break into theatre?

People do ask me advice at stage door or when I see them, or “Oh, my friends’ daughter is thinking of doing this…”. Advice is an odd thing to give because everybody’s  journey is a little bit different. I, for example, didn’t go to college but I wouldn’t necessarily recommend that you don’t go to college but I can’t recommend that you do go to college ’cause I don’t know what the college will give you.

I think you have to be true with yourself, you have to be honest and ask yourself “Am I really good enough?” “Am I better than the thousands of other people out there that are going to be trying to get ahead in this very difficult industry where there are a very small amount of jobs for a very large amount of people?” And “Is it worth my time and money pursuing it if I’m just average?” That’s quite a hard thing to come to terms with especially if you come from a small town where you’re the greatest thing in every production and play and drama group. Suddenly you come to London and you realise you’re a small fish in a big pond so you’ve GOT to be honest with yourself about your likelihood of succeeding if you want to do it to make a career and a living out of it.

And then just be determined. Just be strong. You will get a hundred knock backs before you get a door opened and that’s all part of the business. There was some very good advice I heard online recently where there was a guy going to auditions worrying about getting a job and he suddenly realised that his job was going to auditions as much as doing the productions. So if you’re an actor, as soon as you walk into an audition room, that’s when your job has started – you’re performing to a very small number of people, and you have to not fret about whether you’ll get the job but just go in and do a good performance, a good audition. That’s your job, that’s what you do and eventually you’ll get some financial reward for it.

I would also say to look after your body. It’s very easy when you’re 19 and bendy to throw yourself around or to not take as many safety precautions for yourself. Just because you’re keen and want to work hard and get on, you HAVE to look after your body. You have to look after your knees and your back and your shoulders and all these things that when you suddenly turn 30, start to say ‘hang on a minute, we’ve had enough, you’re working us too hard.’ But enjoy it. I love what I do, I make a lot of friends and it’s very lucky to be able to do that every day and still get paid for it and say I am a professional performer.

15. Has anything embarrassing ever happened to you whilst performing? Can you tell us about them?

I’ve never really had any terribly embarrassing things happen. In any long run you’re going to have moments where you forget your lines, forget your dance moves, a prop breaks or a chair (or something) isn’t on stage when it should be, and whilst at the time they seem to be quite horrendous to you and maybe minutes and minutes are passing by, generally nobody notices. Even people that have seen the show before, you say “Did you notice such and such happened?” and they say “Oh no, I had no idea,” so the more you work you learn to deal with it – with experience comes confidence and if I’ve stuffed my lines up I just take a beat, take a breath and carry on. The worst thing you can do, and it happens when you’re young and inexperienced, is you get into a flap and you break out in a sweat and then you start shaking and you’re constantly thinking about everything and you clam up basically. The best thing you can do is just relax into it and almost have a sort of  ‘well, I don’t care, I can’t take it back’ attitude and just get on with the show.

Aside from general things that everybody goes through in their career, I’ve not had any huge moments where I’ll be writing my memoirs and must include the funny story about x,y and z, whatever so no juicy bits I can give you there, sorry!

Once again, a massive thank you to Jon for answering everything so thoroughly, I have really enjoyed compiling this post. I am very much looking forward to seeing Jersey Boys at the end of January – I will of course write a future post containing my thoughts about it. In the meantime, for those who have seen Jon in action then I hope you have enjoyed this, and for those who haven’t – why ever not? Get yourself some tickets to this toe tapping production and see what the fuss is all about.

Signing off for the final time in 2013, hope to see you all in 2014.

Keep Dreaming,

Naomi xx

West End Live

The weekend of June 22nd 2013 dawned somewhat overcast but this did not seem to deter the crowds of people queueing around Trafalgar Square, some of whom had arrived at around 6am for a prime position. The Square was fenced off and behind the barriers were the huge stage, nice and high so that everyone could see the performances, a couple of big screens for those further back and around the edges some tents with various uses – some for promotions, some for shows and the one for TKTS near the stage for people to buy tickets to whichever shows took their fancy from those showcasing. I have to say, the TKTS booth definitely seemed to be doing a roaring trade, it was jam-packed every time I went past it.

The buzz was noticeable and it took no time for the Square to fill up once the crowds were allowed in. It was clear that everyone was really excited to see a preview of what the West End has to offer. The nicest thing, for me, is that the performers were all those who actually put on the performances night after night, so it gave everyone the chance to see the actual casts and the shows almost as they would be if they were in their respective theatres. There was a huge turnout once again, both of West Enders and of the general public. It’s fantastic to see how popular musical theatre is – it is certainly showing no signs of dying a death.

Compered by Matt Wilkinson and Lisa Vickery onstage, with Katy Federman in amongst the crowd, they kept the event running smoothly with a few facts about each show beforehand and helping to keep the crowd geed up using techniques such as Mexican waves (not that they needed any encouragement). Kicking the event off were ‘The Beatles’ – that is to say, the stars from ‘Let It Be’, the musical history of one of the biggest and most influential bands to date.  Rocking the audience with hits such as ‘I Saw Her Standing There’ and ‘Help!’ West End Live could not have had a more lively start. I adore the Beatles, I have been a fan for many years as I grew up listening to them. I am, therefore, slightly skeptical of any ‘tribute’ acts or similar. I have been stalling on seeing this show for that reason, However, I was really surprised at how much they impressed me. They have all clearly been studying The Beatles and their actions and movements and despite the fact that ‘Paul’ was right handed rather than left handed, it was obvious who was who. In fact, I enjoyed their performance so much that a trip to see ‘Let It Be’ is now on the cards.

See ‘I Saw Her Standing There’ here: http://www.youtube.com/watch?v=9m2bM13xadY

The productions followed thick and fast, with performers from ‘Once’, ‘Wicked’ and ‘Billy Elliot The Musical’ all taking the limelight. I was thrilled to see all of these, as I love every one of those shows. ‘Once’ showed what they were all about with a medley of numbers and they were very well received. Gina Beck and Louise Dearman delivered a stunning rendition of ‘For Good’, then Dearman took the stage on her own to perform Defying Gravity. A real treat followed when the cast of Billy Elliot decided to drop the usual ‘Electricity’ number (which is amazing but always brought out) and instead performed a medley which included the entire cast. This was a true representation of what the show is about and I just loved it.

View ‘For Good’ here:  http://www.youtube.com/watch?v=3eLhp0n2qlg

And the ‘Billy Elliot’ performance here: http://www.youtube.com/watch?v=9fQQd1xZ3ZM

Every show and every performer was given a fantastic reception by the crowd, who screamed, shouted and clapped along and of course, where they could, they sang along. The cast (many of whom only started in the show a week ago) of ‘Les Miserables’ came out to the most tremendous roar, showing that it will continue running way beyond it’s current 27 years. Again, it is a show that I love very much and there was absolutely no give away that this cast had been in the show for less than a week. I forgot the shivers I get from watching it and again, I succumbed and bought myself some tickets to see it again in September. The sound those guys made was simply incredible.

Les Miserables cast – One Day More: http://www.youtube.com/watch?v=PNWd5peCzyk

This was followed by the current cast of other West End veteran show ‘The Phantom of the Opera’. Despite the fact that ‘Phantom’ is probably my favourite show, I have never seen either Marcus Lovett nor Sofia Escobar in the roles of Christine and Phantom respectively. Sadly the person in charge of the smoke machine got a little carried away and there was some sort of problem with the microphones as they did not sound as good as I have heard them previously but it was definitely a technical fault not the guys themselves.

The performance can be seen here: http://www.youtube.com/watch?v=xit5Cf4fA64 (please note, it is not me that goes “there he is” on Lovett’s appearance!)

‘Top Hat’, ‘Matilda’, ‘We Will Rock You’ and ‘The Bodyguard’ were also very popular. It was wonderful to see the support given to every single artist, performer and show. Although several of the productions came out and sang through the best known songs, a majority performed medleys or chose an alternative to the norm – ‘The Bodyguard’ for example. Probably best known for ‘I Will Always Love You’, this was avoided here and instead three upbeat numbers replaced it including ‘So Emotional’ and ‘I Wanna Dance With Somebody’ – Heather Headley and crew were in fine voice. Matilda just did the one number – ‘A Little Bit Naughty’ as did ‘Top Hat’ but I really enjoyed both and found myself grinning from beginning to end of the ‘Top Hat’ routine.

The very slick Top Hat performance can be seen here: http://www.youtube.com/watch?v=8qGrmMIoF2k

The day continued with ‘Jersey Boys’, Jon Lee’s Frankie Valli reaching some notes that had me wondering just exactly how tight his trousers were. Their set consisted of about five songs, each one a well known hit (albeit sometimes better known by alternative performers). It is easy to see why people return to this show again and again.  ‘Mamma Mia!’ entertained the crowd, followed by ‘Thriller Live’ and dance show with the stars of ‘Strictly Come Dancing’; ‘Burn The Floor’. A couple of new shows – ‘The Sound Of Music’, ‘The Colour Purple’ and the next production from Sir Tim Rice –  ‘From Here To Eternity’ were then interspersed with those aimed at children – ‘Dora The Explorer’, ‘Peter Pan: Never Ending Story’, ‘Braniac Live’ and ‘Zoonation’s Groove On Down The Road’ as well as the West End Gospel Choir, Showstoppers and West End Kids. Joey from War Horse (one of the fully moving horse ‘puppets’) also made an appearance during the day so that people had the chance to experience him first hand. I still cannot get over how utterly realistic these horses are.

The day drew to a close but this was definitely not an anti-climax with ‘Dirty Dancing: The Classic Story On Stage’, Monty Python’s ‘Spamalot’ – another show which I love – it is in an altogether different league from Les Mis and Phantom but it is supposed to be and it is brilliantly funny, ‘A Chorus Line’ (whose cast had hotfooted it fresh from their matinee performance to join in), ‘Stomp’ and finally ‘Rock of Ages’. It is sad that ‘A Chorus Line’ is closing at the end of August but I am just relieved to say that I have my tickets booked to see it on August 10th.

 I was lucky enough during the day to speak to the four guys from ‘Let It Be’ to ask what they thought about the event. Playing The Beatles were Michael Galliano – John, Luke Roberts – Ringo, Stephen Hill – George and James Fox – Paul.

The cast of Let It Be

The cast of Let It Be

The Let It Be Beatles, L-R: John, George, Paul, Ringo. Picture my own.

Here’s what they said: “It is such an important event. There is so much talent in the West End and it’s important that we get bums on seats and keep the money coming in so we can keep the theatres running and keep producing the good shows.

It’s lovely to come to an event like this and show people just what we are about. The crowd are really responsive.”

I also managed to catch the ‘Jersey Boys’ for a chat.  Jon Lee – Frankie Valli, Jon Boydon – Tommy De Vito, Chris Gardner – Bob Gaudio, David McGranaghan – Nick Massi

“WEL is great fun and it’s lovely to be back. The crowd are responding massively, this is such a nice event which brings everybody together. It’s like a big shop window and it means people get to see all sorts.  We are lucky that we are in a show where people leave talking about it and then bring their friends back to see it too and where people who don’t necessarily like musicals will come and enjoy it. We normally bring all four seasons with us (!) but it hasn’t rained this year, we are back again tomorrow to sing to more thousands”.

Three of the 'Four Seasons'

Three of the ‘Four Seasons’

L-R Chris Gardner, Jon Boydon, David McGranaghan. Picture my own.

The variety that the West End has to offer is plain to see. West End Live is a fantastic opportunity for people to see the talent and actual casts that perform in these shows. For those who are unsure, it is a chance to have a taster, see what they think – perhaps tempt them to try something out. For the diehard musicals fans it is the perfect way to spend the day and means they do not have to choose which ONE to see. It is also ideal for new productions to show what they are about and for people to hear the scores, to encourage people to buy tickets. Theatre can often seem inaccessible to people for a number of reasons but WEL proves that there is something for everyone and regular ticket offers mean it is also affordable for all. All the participants seem to be in agreement that this WEL is an excellent promotional tool as well as good fun and the fact that this event grows each year is a testament to our fabulous West End. I am so glad I have finally got to witness this event first hand as I’ve not been able to make it in previous years. It makes me want to be up there performing with them all, as it always does when I go to the theatre and it certainly put a huge smile on my face.

Next year is the 10th anniversary and so I very much hope I will be a part of it once again.

Tickets for all of the above shows can be bought from a variety of websites and of course the TKTS official London theatre ticket booth which resides in Leicester Square. It is also worth keeping an eye out for offers. Some shows do not really do offers but many day ticket and some just have monthly offers but there are some fantastic deals to be had – if you are anything like me and want to see absolutely everything, then believe me, it is worth shopping around!

I would like to say a huge thank you to Livetheatre.co who gave me the opportunity to report for them – you can see my original post here –  http://www.livetheatre.co/west-end-live-round-up/

Keep dreaming,
Naomi xx