The Commitments is DEFINITELY bringing soul to the people

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Last night I had the absolute honour of going to one of the first previews in the world of The Commitments musical. Directed by Jamie Lloyd (and already a film), the Roddy Doyle novel has been brought to life in London’s Palace Theatre.

It was my first time being witness to a brand new show with an original cast but I am so pleased that I managed to get tickets. I have to confess to not having read the book (my copy didn’t arrive in time) but I knew the sort of thing I was expecting and I was not disappointed. The story is set in Barrytown (a fictional town) in Ireland, in the mid 1980’s in a time of social upheaval due to high taxes and unemployment. Many people found themselves in the grasp of Heroin. The Commitments is a group formed from people who want to bring soul back to Ireland, to their lives and who are passionate about the music because it’s all they have.

Friends- Outspan, a guitarist, (Matthew Wycliffe) and Derek, a bassist, (Mark Dugdale) – are looking to progress in the music industry, so they end up looking for advice in Jimmy Rabbite, played by Denis Grindel. The Commitments is Grindel’s West End debut, but there is no hint that this is the case as he gives a confident and professional performance as the young hopeful. He has grand ideas for the group and begins auditioning for members. He remembers seeing a drunken performance from a young man and goes to ask him to join the group. This chap becomes The Commitments’ (who are as yet to be named) front man, Deco, played by Killian Donnelly.

After getting together, more members are added – these include The Commitmentettes (the backing singers) – Imelda, Natalie and Bernie (played by Sarah O’Connor, Stephanie McKeon and Jessica Cervi respectively), James the pianist, played by Barnaby Southgate, Joey the trumpeter (Ben Fox), Billy the drummer (Brian Gilligan) and Dean the saxophonist (Andrew Linnie).

An extremely mismatched group, with very little musical talent between them, Rabbite sends them away to learn various soulful tunes, from the likes of The Supremes and Marvin Gaye. They struggle to play their instruments, the singing is pretty terrible, as is the saxophone, and Deco is extremely difficult.The actors playing the Commitments all play their own instruments (initially very badly) but as they begin to perform in public, they begin to improve, gradually playing bigger venues and they eventually start to get press attention and the chance for a recording deal.

Donnelly plays the crude, arrogant and moody Deco with such conviction. He is very temperamental, inclined to walk out at the slightest thing and really only looking out for himself, and most of the other band members really don’t like him. They are told to tolerate him, however, for his vocal ability. And I have to say that Donnelly is incredible. Vocally he is extremely strong, powering out the soul. His energy on stage is infectious and despite the fact that he is difficult, obnoxious and a law unto himself he is hysterically funny (as is the entire production) and you cannot fail to be mesmerised by him. He also throws quite a few shapes, however, he also seems to like eating and getting his kit off!

Each of The Commitmentettes are strong characters, using their female charms to impress Joey the trumpeter, the only member of the group with any real musical experience. This leads to tensions and jealousy between the other members of the group (who all rather like Imelda, including Rabitte), so when she is seen kissing Joey, punches are thrown, fighting ensues and the band, which is barely holding it together anyway, falls apart. The girls throughout all hold their own, each one with a great voice and on occasions get their chances to sing, which they do most impressively.

One of my favourite performances came from Joe Woolmer, who plays the bouncer Mickah. He was absolutely superb as the ‘no messing’ character and literally every time he was on stage I was in stitches. For me, he was the icing on a rather delicious cake.

There are quite a few elements to the set and although much of it is set on one level there are scenes taking place upstairs and also ensemble scattered around in balconies and higher up positions. This potentially creates a problem for those faced with an overhang from upper theatre tiers, but I think probably not a lot is missed. I thought the set design was great though – some of it (the Rabbite house, for example) done using trucks which could be easily and quickly wheeled on and off.

At times there was an element of audience participation and there was a real sense of being part of it -on occasion the cast are in the auditorium – and with classic music – songs such as I Heard It Through The Grapevine, Knock On Wood, Mustang Sally and Reach Out I’ll Be There – it is nearly impossible not to join in. What I did enjoy is that although these are all classic hits, the performers in this production very much make them their own. It was hard to stay seated throughout, as my toes (and I could feel others too) were tapping along, so when the opportunity to get up and dance came about at the end, not one person remained in their seat.

Without giving too much more away, every single cast member has clearly worked hard to make this production really impressive. During the interval and at the end I heard only positive comments from the audience. Certainly there was hilarity all the way through, I don’t think I stopped smiling once. If bad language offends I would advise staying away, as it is rife throughout but it really doesn’t bother me in the slightest and apparently didn’t seem to be concerning anyone else either. I can’t find a bad word to say about any of the cast – if I haven’t given them an individual mention here it is simply because I don’t want to go on too much, but they are all super talented and a joy to watch, many of them making their West End debuts. I defy anyone not to be smiling and singing when they leave the theatre.

I absolutely can’t wait for a return visit, and there WILL be one. And another, and more after that…this is a watchable show which I would happily see again and again. And I very much intend to. Do go if you can, it really is great fun and this cast deserve to be seen. I hope this will be sticking around for some time.

Keep Dreaming,
Naomi xx

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